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• Published on: 2012-12-27
• Dimensions: 8.54" h x
  1.04" w x
  5.77" l,
  
• Binding: Hardcover

The Lost Carving Awestruck at the sight of a Grinling Gibbons carving in a London church, Esterly chose to dedicate his life to woodcarving--its physical rhythms, intricate beauty, and intellectual demands. Forty years later, he is the foremost practitioner of Gibbons' forgotten technique, which revolutionized ornamental sculpture in the late 1600s.

Customer Reviews

Most Helpful Customer Reviews

0 of 0 people found the following review helpful.
... to exaggerate the sheer pleasure I had reading this amazing book. Please
By Pete Bennett
It is virtually impossible to exaggerate the sheer pleasure I had reading this amazing book. Please, do not be put off by thinking it is merely another 'How to' book on carving. Infact, it almost omits any mention of technique at all. BUT, what it does do, is explain in the most beautiful language imaginable, why this world, this life and everything worthwhile in it induces us to create and experience the immeasurable pleasure of doing so.

0 of 0 people found the following review helpful.
Five Stars
By A. Wyman
Love this book. Great service as always.Thank you

4 of 4 people found the following review helpful.
'The thinking of the body'
By Eleanor
After a 1986 fire in Hampton Court destroyed an elaborate carving by Grinling Gibbons (1648-1721), David Esterly, one of the few craftsmen working in Gibbons's style, was contracted to carve a replacement. Gibbons's work was chiefly executed in beautifully pale lime wood, and it is distinguished by baroque explosions of flora that look too delicate and pliable to have been formed from something as solid as wood."The Lost Carving" describes the year Esterly spent at Hampton Court, the difficulties (bureaucratic and creative) he encountered, and what he learnt during his time there, both about Gibbons and himself. Esterly's meditations on the interaction between body, mind, creativity, and craft, are insightful and stimulating. His words will strike a chord with any one who has experienced 'the high trance where working and creating are one'.I finished the book hungry to learn more about both Gibbons's and Esterly's work: the rather drab black and white images included here merely whet the appetite.

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